In the vast and varied world of Greek art, certain motifs and symbols recur across centuries, offering a glimpse into the cultural values, religious beliefs, and artistic innovations of ancient Greece. Among these symbols, wings stand out as one of the most powerful and evocative features. Whether attached to gods, mythological creatures, or heroes, wings in Greek art transcend mere physical attributes, carrying deep symbolic and thematic significance. They are not mere decorative elements but powerful emblems of divinity, freedom, and transcendence.
Wings in Greek art symbolize the ability to transcend earthly limitations and move between realms, representing the divine’s freedom to ascend to the heavens or descend into the underworld. Figures like Nike, the goddess of victory, and Hermes, the messenger god, embody this divine mobility. Nike’s wings, especially in sculptures like the Winged Victory of Samothrace, emphasize the swiftness of victory and the fleeting yet powerful nature of success, while Hermes’ winged sandals symbolize his role as a divine messenger, moving effortlessly between gods and mortals. In addition to their connection to gods, wings also appear in mythological creatures like the Sphinx and Pegasus, symbolizing power, mystery, and freedom.
The Sphinx, with her wings of a bird and body of a lion, embodies the dangerous enigma of fate, while Pegasus, the winged horse, represents divine aid and freedom. Through these winged figures, Greek art explores profound themes of transformation, aspiration, and the tension between human ambition and divine intervention, evoking a sense of wonder that invites viewers to reflect on the forces that govern both the human and divine realms.
The Metropolitan Museum of Art (The Met) in New York is home to one of the world’s most comprehensive collections of Greek art, spanning multiple periods of Greek history, from the Geometric period (c. 900 BCE) to the Hellenistic period (c. 1st century BCE). Its extensive collection of Greek art includes sculptures, vases, jewelry, and more. Some Greek art objects feature wings, often associated with gods, goddesses, and mythological figures.
The practice of using applied color to achieve the effect of red-figure gained some popularity in Paestan vase-painting. This example is in particularly fine condition. (Photo: The Metropolitan Museum of Art)
The kantharos combines the head of a satyr and the head of a woman. On the cuff, above the satyr, is a maenad riding a panther; above the woman, the Theban sphinx seizes a youth. The molded satyr head preserves small but numerous traces of added color. (Photo: The Metropolitan Museum of Art)
The larger cup demonstrates the basic decorative format of this popular shape. Here, the inscriptions are meaningless strings of letters framing the figural composition, but on other examples, they accurately record the artist’s name, label characters depicted, or offer greetings. Little Master cups can be dated more precisely than most Etruscan vases and so are important indicators of the date of this tomb. (Photo: The Metropolitan Museum of Art)
A fleeing Gorgon decorates this tapering, marble fragment, part of the grave stele of Kalliades, as we learn from the inscription carved in three lines from left to right below the Gorgon’s left knee: “Kalliades, son of Thoutimides”. (Photo: The Metropolitan Museum of Art)
Obverse , Perseus beheading the sleeping Medusa
Reverse, King Polypeithes between two women. (Photo: The Metropolitan Museum of Art)