In 1504, Raphael goes to make a name for himself in the city of Florence, already inhabited by the giants Michelangelo and Leonardo. The young artist is soon given the opportunity to work on the Pope’s Rooms in Rome, and creates a masterpiece on every wall. The “Stanza della Segnatura” is dedicated to four intellectual faculties, including, of course, theology. In the “Disputation on the Holy Sacrament” we will discover Raphael’s architectural mastery, purity of geometry, and figures so eloquent that reading Raphael’s work is like reading that of a theologian’s.