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Introducing a New Painting: Poussin’s ‘Eucharist’

Photo: Screenshot Youtube/The National Gallery

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By Staff Middle Land

August 8, 2024
6:31 pm
Los Angeles, CA

Head of Conservation Larry Keith and curator Dr Francesca Whitlum-Cooper introduce our new painting, ‘Eucharist’ by 17th-century French artist Nicolas Poussin, and discuss the painting’s recent conservation treatment which has been generously supported by Graham and Joanna Barker. For Paris intellectuals Poussin produced during the ten years after his return to Rome the paintings which were regarded in his own time as his most perfect, and which are now considered to be among the purest embodiments of French classicism. To this group belong the second series of Sacraments, executed for Paul Fréart de Chantelou, a civil servant, between 1644 and 1648. The second series of Sacraments have a solemnity wholly lacking in the more picturesque first series. This is perhaps most apparent in the Eucharist, one of Poussin’s most

The Seven Sacraments II: Eucharist. Nicolas Poussin. 1647. Oil on canvas, 117 x 178 cm. (Photo: TheNational Gallery)

For Paris intellectuals Poussin produced during the ten years after his return to Rome the paintings which were regarded in his own time as his most perfect, and which are now considered to be among the purest embodiments of French classicism. To this group belong the second series of Sacraments, executed for Paul Fréart de Chantelou, a civil servant, between 1644 and 1648.

The second series of Sacraments have a solemnity wholly lacking in the more picturesque first series. This is perhaps most apparent in the Eucharist, one of Poussin’s most severe compositions. The scene is set in a room of the utmost simplicity, without ornament, and articulated only with plain Doric pilasters. The apostles are shown lying on couches round the table and are dressed in Roman togas. The artist has chosen a moment which enables him to combine the two main themes which the subject involves: the dramatic and the sacramental. Christ has given the bread to the apostles and is about to bless the cup, but on the left of the composition we see the figure of Judas leaving the room. That is to say, Poussin represents primarily the institution of the Eucharist, but at the same time reminds the spectator of Christ’s words: ‘One of you shall betray me’. The double theme is made even clearer in the actions of the apostles, which are defined with great precision. Some are engaged in eating the bread, others show their realization of the significance of what is taking place by gestures of astonishment, while St John’s expression of sorrow shows that he is thinking of Christ’s words about Judas.

Formally Poussin has concentrated his group into a symmetrical relief pattern. His choice of a low view-point has enabled him to foreshorten the front apostles, so that they form a compact group with those on the other side of the table (Text: Web Gallery of Art)